Showing posts with label Andrew Frost. Show all posts
Showing posts with label Andrew Frost. Show all posts

Saturday, October 17, 2015

ESSENTIAL WEEKEND VIEWING // CONQUEST OF SPACE AND HANNAH GADSBY'S OZ




Shoufay Derz_Black Lake_2012_pigment print on cotton paper_edition of 5 + 2 AP_107 x 100cm



Conquest Of Space: Science Fiction & Contemporary Art examines the work of Australian artists inspired by science fiction who are exploring its themes and concepts through painting, drawing, sculpture, video and installations. Including examples of work by more than a dozen artists and featuring interviews with some of Australian art’s leading practitioners, Conquest of Space reveals the extraordinary influence of the world’s primary entertainment genre on contemporary art. 

This program studies the historical roots of science fiction in the 18th and 19th centuries tracing its beginnings to the literary works of authors such as Mary Shelley, HG Wells and Jules Verne as well as comparing the emergence of sci-fi with the age of imperial colonization by the English during the ‘age of reason’. 

Early Australian colonial artists such as Eugene von GuĂ©rard and John Glover provide clues as to how sci-fi works in an Australian context and the visual legacy of sci-fi’s golden age introduces us to the work of contemporary painters such as Phil James, Nick Stathopoulos and Ben Frost. 

Sci-fi in the post war era is also explored as “Conquest of Space” delves into Frost’s personal connections to the genre in the 1970s. The program then move forward through the latter half of the 20th century and through various sci-fi sub genres as we meet artists such as Sam Leach, who looks the classics to create a sci-fi ambience in his paintings, and Adam Norton, whose paintings and video works are inspired by mid-century sci-fi, and Shalini.

Written and presented by Andrew Frost this program looks at contemporary and historical Australian art and asks two fundamental questions, why are so many artists drawn to sci-fi? And is there something about our time and place at the dawn of the new century that makes science fiction so relevant to the Australian experience?

Featuring work by Artereal artist Shoufay DerzClick here to watch 'Conquest of Space' on ABC iview.



Liam Benson_Coat of Arms_2010


Armed with a rapier wit and desire to pick beneath the paint, Hannah Gadsby travels across the continent on a mission to debunk the myths of the Australian Identity as defined by our art canon. If our great works are to be believed, the average Aussie is a bloke in a hat who is hell bent on conquering our gum-tree infested landscape single-handedly. Why has this mono-vision of Australia persisted for so long? Surely there is more to us than our most famous artworks suggest?

Knocking on the studio doors of some of this country’s most interesting contemporary artists, Hannah will engage with a new generation who are determined to break open the ideas of what it means to be Australian. Many of these artists’ work speaks directly to our historical canon, challenging its point of view and re-interpreting it to ignite the issues still haunting our political and cultural landscapes. 



Thursday, November 7, 2013

Friday, June 15, 2012

SYLVIA SCHWENK / ALONG WHITE LINES

 
 Sylvia Schwenk_Along White Lines III_ 2011

 Sylvia Schwenk_Along White Lines I_ 2011

Artereal Artist Sylvia Schwenk will be exhibiting her recent body of work Along white lines at Dianne Tanzer Gallery + Projects, Melbourne from 16 June to 21 July.

A book of the same title celebrating the project will be launched at the opening. The book includes an essay by Andrew Frost.

Along white lines by Sylvia Schwenk is a project that joins art with sport and community. This work was performed during half time at the NTFA Grand Final at Aurora Football Stadium, Launceston, Australia in September 2011. 

During the performance over 400 spectators, around 15% of the audience at the football event spontaneously participated in this work of performance art, completely covering the lines marking the centre square of the AFL football field. At the start of the performance when people dressed in white overalls jogged onto the field in a single file and started to become the white lines on the ground, the goalposts, the goal square and boundary line, the spectators were somewhat unsure of the work. Some of the audience joined in, but many more watched. 

There were even moments when some of the children on the field tried to kick balls at the performers. Then when the performers moved to become the 50 metre line and the boundary line, many more spectators joined in. The work culminated in the last movement, which saw a transformation – spectators embraced the work lying Along white lines completely covering the lines of the centre square. 

The performance Along white lines is re-presented as a single channel video with sound, a series of photographs, and an artist book which includes an essay by art critic and television broadcaster Andrew Frost.

Sylvia Schwenk will also be exhibiting in the Artereal Gallery Project Space from 4-28 July, 2012.

Friday, December 17, 2010

Andrew Frost reflects on Rebecca Beardmore


The Art Life's Andrew Frost has reviewed Rebecca Beardmore's new exhibition On Reflection  in today's edition of the Sydney Morning Herald. On Reflection can be seen at Artereal until the 23 December 2010.